For me, Live's Operator synth does not cut it at a post-Massive world.
The cause of this is straightforward: where after Ableton led on invention, it is let itself becoming overtaken by the contest. Some have moved into constructing their own modular synths others have moved into all round boxes such as Elektron's Octatrack hardware, even while I have found myself much more interested about what Native Instruments and Bitwig have been performing. It is a sense that a good deal of all Live users I understand share. I am not certain if or how it happened, but at any stage over the previous seven years, Ableton Live ceased giving me exactly what I wanted out of a bit of music production program. Scott Wilson dives to the year's most likely piece of audio program. Ableton Live 10 is here, together with visual enhancements, a new synth, three brand new results along with a guarantee that making music together with the DAW will likely be simpler and more enjoyable than ever before.
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